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Open a larger version of the following image in a popup: Carolyn Mazloomi , Hands Up ... Don't Shoot #2, 2024, Courtesy: The Art Institute of Chicago
Open a larger version of the following image in a popup: Carolyn Mazloomi , Hands Up ... Don't Shoot #2, 2024, Courtesy: The Art Institute of Chicago
Open a larger version of the following image in a popup: Carolyn Mazloomi , Hands Up ... Don't Shoot #2, 2024, Courtesy: The Art Institute of Chicago
Open a larger version of the following image in a popup: Carolyn Mazloomi , Hands Up ... Don't Shoot #2, 2024, Courtesy: The Art Institute of Chicago

Carolyn Mazloomi

Hands Up ... Don't Shoot #2, 2024, Courtesy: The Art Institute of Chicago
Cotton, India ink, textile paint, cotton thread, and cotton batt
58 x 102 in
Courtesy: The Art Institute of Chicago
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I was inspired to create this quilt to honor Black people killed by policemen. I started collecting names of victims a few years ago. The first quilt had 25 names...
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I was inspired to create this quilt to honor Black people killed by policemen. I started collecting names of victims a few years ago. The first quilt had 25 names on it. I made a second quilt after I collected 88 names of victims. Instead of stars, I chose to use the image of 50 Black men with a target on their chest. I used the images because I read a news report stating some police departments in the United States used cutouts of Black men for target practice. The flag is resting on the images of a slave ship. The ship of human cargo is symbolic of the free human labor used to build this country’s wealth. It also symbolizes Black people are part of the fabric that is America. The quilt is my response to systemic racism, police violence, and social injustice. Making narrative quilts is my way of addressing issues such as racial profiling, police brutality, and broader systemic inequalities faced by Black communities. It is a soft way to tell hard stories.

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