Stained Glass That Demands Slow Looking
ROCHESTER, New York — Judith Schaechter’s stained glass works reach so far in different directions that trying to classify them becomes a taxonomy problem. Her medium, techniques, and references are deeply rooted in Medieval and Renaissance art, but her execution, agenda, and subject matter are unusual for stained glass. Her work is based in craft, but her finished products are highly conceptual. Her imagery and symbols are both personal and universal. Even the title of her retrospective at the University of Rochester’s Memorial Art Gallery, Path to Paradise, contains a kind of contradiction, alluding to a quote from Dante’s Divine Comedy: The path to paradise begins in hell.
April 22, 2020