Adebunmi Gbadebo
My work began out of a rejection of traditional art materials because of their association with Whiteness. Art history teaches us that the masters, the best to have ever used paint or those worthy enough to be painted, were white men. Not only did I reject that narrative and its materials, but I also went on to find a material and a history in which to root my own work that positions the people who looked like me as central to my practice.
My material is human hair from people of the African Diaspora. Our hair is so connected to our culture, politics, and history! It is history and DNA. The process of working with hair has allowed me to utilize my community as an integral part of my studio practice. Local barbershops and people’s homes have become my art store. My community helps me create every artwork! Strangers trust me to give a new purpose to their hair. Thus, with honor, the first piece I made was Dada. Twenty feet of locks sprawled up a wall, literally and metaphorically, forces the viewer to look up to black hair. I have sewn hair to canvas and I hand sew most of my work. The needle replaces my brush and instantly, the process became more involved allowing me to pierce through surfaces to insert “nappy” hair. The needle also slows the process and reflects that of a hairdresser or a mother working on her child’s head that rests in between her thighs. I am looking for ways to integrate genealogies of the diaspora with critical discourse through my use of hair!
Production 1 (detail)
Production 1
Production 1 (detail)
True Blue: 18th Hole ll
True Blue: Little Anthony
True Blue: Mildred
True Blue: Patience
True Blue: Simon
the Artist with her works
True Blue: Samuel
True Blue: Tom
Jauquadah
DaDa
DaDa
DaDa (detail)
Magic Johnson has the Cure to AIDS
History Paper 9
Happer's Bazar (History Paper)
Between Us (History Paper)
Fadeyi (HistoryPaper)
Uprooted (History Paper)
History Paper 5
History Paper 24
History Paper 16
History Paper 7
Four Now; Leonardo Benzant, Barbara Earl Thomas, Adebunmi Gbadebo & Gio Swaby
December 1, 2020 to January 23, 2021
Claire Oliver Gallery
View exhibit press release (pdf)
Four Now Is A Presentation of The Gallery’s Booth at Untitled Art Fair,
Telegraphing the Excitement of Miami Art Week To Claire Oliver’s Harlem Headquarters
With A Dynamic Program of Virtual Talks
Adebumni Gabadebo: A Dilemma of Inheritance
September 17, 2020 to November 14, 2020
Claire Oliver Gallery
View exhibit press release (pdf)
Claire Oliver Gallery is pleased to announce the debut solo exhibition by artist Adebunmi Gbadebo, A Dilemma of Inheritance. The exhibition will showcase the artist’s True Blue series which is comprised of more than 45 works that grapple with concepts surrounding heredity and the evolution of memory and forgetting focused on two former slave plantations in South Carolina, both named True Blue. Gbadebo’s conception behind the exhibition and its naming was sparked by author Ta-Nehisi Coates’ exploration of patrimony and the inheritance of status in his case for reparations, stating “We recognize our lineage as a generational trust, as inheritance, and the real dilemma posed by reparations is just that: a dilemma of inheritance. It is impossible to imagine America without the inheritance of slavery.” Within this inquiry, materiality is central to Gbadebo’s work, she employs Black hair, rice paper, cotton and indigo to create works that are visceral portraits of human narratives that have been erased by history.
UNTITLED, ART Miami Beach 2019
December 4, 2019 to December 8, 2019
UNTITLED, ART Miami Beach
View exhibit press release (pdf)
UNTITLED, ART is an international, curated art fair founded in 2012 that focuses on curatorial balance and integrity across all disciplines of contemporary art. Untitled, Art innovates the standard fair model by selecting a curatorial team to identify, and curate a selection of galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally designed venue. The next edition of Untitled, Art Miami Beach will take place on the beach at Ocean Drive and 12th Street, December 4 — 8, 2019.
1-54 Contemporary, London 2019
October 3, 2019 to October 6, 2019
Somerset House, London
View exhibit press release (pdf)
Rivers are their own separate systems but are still connected to one body of water, the sea. I feel like this is a metaphor for various diasporic communities around the world that are still connected or have roots in Africa.
Public Collections:
- Smithsonian National Museum of African Art
- Minneapolis Institute of Art, MN
- Minnesota Museum of American Art, Minneapolis. MN
Selected Solo Exhibitions:
- The Dilemma with Inheritance, Claire Oliver Gallery, New York, NY – 2020
- Uprooted, New Jersey City University, Jersey City, NJ – 2020
- Connected by a Strand, Therese A Maloney Gallery, College of Saint Elizabeth,
Morristown, NJ – 2019 - The Ade Series, Paul Robeson Gallery, Rutgers University, Newark, NJ – 2016
Selected Group Exhibitions:
- Dhaka Art Summit, Seismic Movements, Dhaka Bangladesh 2020
- Mapping Black Identities, Minneapolis Institute of Art, Minneapolis, MN 2020
- Abstraction in the Black Diaspora, False Flags, Queens NY 2020
- 1-54 Contemporary African Art Fair, London UK 2019
- UNTITLED, ART Miami Beach, FL 2019
- Between Wisdom & Madness: Works in Sculpture, Index Art Center Newark,
NJ, 2019 - Nice/Nasty, Newark Arts Festival, Newark, NJ, 2018
- Compassion, Morris Arts/ Dodge Foundation, Morris, NJ, 2018
- Same Difference, Miranda Kuo Gallery, New York, NY, 2018
- Intertwined, Chashama Gallery, Brooklyn, NY, 2017
- She Speaks, Gallery Aferro, Newark, NJ, 2017
- Women in the World, Monmouth University, 2017
- Say Her Name, Newark Open Doors, Newark, NJ, 2016
- BlackLivesMatter, Kean University, Union, NJ, 2016
- SVA Open Studio, School of Visual Arts, New York, NY, 2016
- Surrogate, SVA Chelsea Gallery, New York, NY, 2016
- Cross-Cultural Dialogue, curator Central Academy of Fine Arts China, Jacob Javits Center, New York, NJ, 2016
- 5on5, SVA Open Studio, School of Visual Arts, New York, NY, 2015
- SVA Open Studio, School of Visual Arts, New York, NY, 2015
- Newark Open Doors, Yendor Arts, Newark, NJ, 2015
- Hi-Rez/ Lo Rez, SVA Flatiron Gallery, School of Visual Arts, New York, NJ, 2105
- Stigmata, Yendor Arts, Newark Open Doors, Newark, NJ, 2013
Awards/Grants:
- Vermont Studio Center Artist’s Grant, 2018
- Honorarium, Mother & Muse Talk, Newark Museum, Newark, NJ, 2017
- BFA Fine Arts (Honors), 2016
- Honorarium, Paul Robeson Gallery, Rutgers University, Newark, NJ, 2016
- SVA Merit Scholarship, School of Visual Arts, New York, NJ, 2013
- SVA Chairman’s Scholarship, School of Visual Arts, New York, N, 2013
- SVA Grant, School of Visual Arts, New York, NY, 2013
Residency/Public Commission/Fellowship:
- Clay Studio, Philadelphia PA 2020
- Wood carving fellowship, Polytechnic University, Ibadan, Nigeria, 2019
- Vermont Studio Center Residency, Johnson, Vermont, 2018
- Classical Painting Fellowship, Mario Camano Studio, Madrid, Spain, 2016
- Gateways to Newark Mural, Newark Downtown District, Newark, NJ, 2016
- SVA Bronze Casting, Keating Foundry, Jersey City, NJ, 2016
Talks/Workshops:
- Artists in the Studio, Museum of the African Diaspora, San Francisco CA 2020
- Art and Lunch, Newark Museum of Art, Newark NJ 2020
- Artist Talk, Spence School, New York NY 2020
- Artist in Conversation, College of Saint Elizabeth, Morristown, NJ, 2019
- “Crown your Head,” workshop, Newark Museum, Newark NJ, 2018
- Mother and Muse talk, Newark Museum, Newark, NJ, 2017
- Ade Series talk, Rutgers University, Newark, NJ, 2016
TRUE BLUES
The Artist takes you on a journey into her families history while exposing the "Dilemma of Inheritance"
MoAD In The Artist’s Studio | Adebunmi Gbadebo
join the Museum of the African Diaspora's own Demetri Broxton as he visits Adebunmi Gbadebo in her studio.
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