Gabi Trinkaus
As the viewer scrutinizes the surface of a Trinkaus work, it becomes evident that it has been constructed both physically and conceptually to raise questions on our private versus public personas, social roles and the pressure to “belong”. Labels and text fragments, alongside champagne bottles, cars, watches, pistols, and bling make up the glistening flotsam and jetsam of media content, woven into the larger optical impression and allowing the viewer to contemplate their unique role to play in this challenge of a globalized life. “From the get-go, I had a critical approach in mind, yet with a hint of humor and much sincerity. The media swatches allow me to go in all of these directions at the same time. This is why collage proved to be the ideal technique for this on-going surface vs substance vs society series of work.” says the artist of her work.

JOLLY
mixed media, collage, and acrylic paint on canvas
82.7 x 55.1 x 0.0 in
210 x 140 x cm
2020

JOLLY

JOLLY (artist studio view)

JOLLY (detail)

JOLLY (detail)

BURGER gen

BURGER gen (detail)

BURGER gen (detail)

ADDI

For Humans

Studio Gabi Trinkaus

heragain

It's fun

Stir the Senses

Eternity N°4

Goo Times Girl

Eat the Rich

A Proper Love For Pink

Paradise with a Limp

Save the Bank

Just the Right Amount of Wrong

Live Survive Protect

Next

Maximum

IQ

Lake House #5

Follow

heragain
Gabi Trinkaus
JOLLY, 2020
mixed media, collage, and acrylic paint on canvas
82.7 x 55.1 x 0.0 in
210 x 140 x cm
- Tumblr

Surface @ Texas Contemporary 2018
October 4, 2018 to October 7, 2018
George R. Brown Convention Center
View exhibit press release (pdf)
For Texas Contemporary 2018, Claire Oliver Gallery is proud to present a three Artist curated exhibition of new works of art by Gabi Trinkaus, Norbert Brunner, and Matt Bahen entitled Surface.

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Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary
2018

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The Face of Now
Cut Magazine Paper and Paint on Canvas
2018

Current image:
heragain
Cut Magazine Paper and Paint on Canvas
2018

Current image:
Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary
2018

Current image:
authenticity takes bravery
Acrylic Glass. Acrylic Mirror, Swarovski Crystals, MDF
2017

Current image:
ADDI
Cut Magazine Clippings on Canvas
2017

Current image:
Herzogs Vally
Oil on Canvas
2018

Current image:
Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary
2018

Current image:
The Tapestry That Was the World
Oil on Canvas
2018

Current image:
For Humans
Cut Magazine Clippings on Canvas
2017

Current image:
fear is the enemy of change
Acrylic Glass. Acrylic Mirror, Swarovski Crystals, MDF
2017

Current image:
After a While There Was Very Little Sign That Anything Had Taken Place There
Oil on Canvas
2018

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splosh
Cut Magazine Paper and Paint on Canvas
2018

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The Patience of the Earth
Oil on Canvas
2018
PULSE Miami Art Fair 2017
December 7, 2017 to December 10, 2017
Indian Beach Park, Miami Beach FL
View exhibit press release (pdf)
Claire Oliver Gallery has chosen to curate their stand for the 2017 edition of Pulse Miami with the theme of Materiality. When investigating the role of materiality in art we can attempt to expand notions of time, space, process, or participation. We may consider how materials obstruct, disrupt, or interfere with social norms. Materiality, as an aesthetic concept, has evolved out of formalism’s interest in the purely visual aspects of art to create both context and communication.

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Materiality: Pulse Miami 17, Stand N-312
2017

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ADDI
Cut Magazine Clippings on Canvas
2017

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Chemical Plant 1.0
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
2017

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Anaya with Oranges
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
2017

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Materiality: Pulse Miami 17, Stand N-312
2017

Current image:
It Was All A Dream
Steel, Neon, Paint
2016

Current image:
Anaya with her Backpack
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
2017

Current image:
For Humans
Cut Magazine Clippings on Canvas
2017

Current image:
Materiality: Pulse Miami 17, Stand N-312
2017

Current image:
It's fun
Cut Magazine Clippings on Canvas
2017

Current image:
Chemical Plant 2.0
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
2017

Current image:
Analog Digital Desert Synth
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
2017

Current image:
Anais
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
2017

Current image:
Materiality: Pulse Miami 17, Stand N-312
2017

Current image:
Kamaria, Boom Shaka Laka!
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
2017

Current image:
Follow
Cut Magazine Clippings on Canvas
2015

Current image:
La Nueva Casita
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
2017

Current image:
Artifice
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
2017

Current image:
Pink Bow and an Attitude
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
2017
Chicago Expo 2017
September 13, 2017 to September 17, 2017
Navy Pier, Chicago IL
View exhibit press release (pdf)
It is with great pleasure that Claire Oliver Gallery returns to Navy Pier for EXPO Chicago 2017. This year the gallery has selected new works by two of our artists who are exploring extremely topical and poignant subject matter.

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Chicago Expo
Installation view
2017

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Under Siege
Cut Tyvek and Rag Construction Paper
2017

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Chicago Expo
Installation view
2017

Current image:
The Golden Age
Cut Magazine Clippings on Canvas
2017

Current image:
Chicago Expo
Installation view
2017

Current image:
Trapped
Mouth Blown and Sandblasted Glass
2017

Current image:
Chicago Expo
Installation view
2017

Current image:
Lake House #5
Collage, printed matter and Ink on canvas
2015

Current image:
In Case of Flood
Linocut Print
2014

Current image:
Retake
Cut Tyvek and Rag Construction Paper
2017

Current image:
Chicago Expo
Installation view
2017

Current image:
Goo Times Girl
Cut Magazine Clippings on Canvas
2017

Current image:
Chicago Expo
Installation view
2017

Current image:
Figurers in a Martix
Cut Tyvek
2017

Current image:
Follow
Cut Magazine Clippings on Canvas
2015

Current image:
Chicago Expo
Installation view
2017

Current image:
First Strike
Cut Tyvek and Rag Construction Paper
2017

Current image:
Next
Cut Magazine Clippings on Canvas
2017

Current image:
The Blood Catcher
Cut Tyvek and Rag Construction Paper
2017

Current image:
Rattled
Mouth Blown and Sandblasted Glass
2017

Current image:
In Case Of Fire
Linocut Print
2014
Gabi Trinkaus: The Way We Are Told
May 26, 2016 to June 23, 2016
Claire Oliver Gallery
View exhibit press release (pdf)
In Gabi Trinkaus’ current body of work, The Way We Are Told, the viewer is initially seduced by ultra-sexy images of beauty and glamour. However, with closer observation, we realize that laying just beneath the surface of the work is a powerful editorial on our present Instagram/Tweet social media driven culture. When self-worth is developed and destroyed 140 characters at a time, surface is often mistaken for substance.

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The Way We Are Told
Exhibition Installation Photograph
2016

Current image:
The Way We Are Told
Opening Event Photograph
2016

Current image:
Just the Right Amount of Wrong
Cut Magazine Paper and Paint on Canvas
2016

Current image:
Unisexy
Cut Magazine Clippings on Canvas
2016

Current image:
AA+BB
Cut Magazine Paper and Paint on Canvas
2016

Current image:
The Way We Are Told
Exhibition Installation Photograph
2016

Current image:
Follow
Cut Magazine Clippings on Canvas
2015

Current image:
The Way We Are Told
Opening Event Photograph
2016

Current image:
Superstay
Cut Magazine Paper and Paint on Canvas
2016

Current image:
Stir the Senses
Cut Magazine Clippings on Canvas
2016

Current image:
No Added Preservatives
Cut Magazine Paper and Paint on Canvas
2016

Current image:
share some sparkle
Cut Magazine Paper and Paint on Canvas
2016

Current image:
The Bitch is Back
Cut Magazine Clippings on Canvas
2016

Current image:
A Proper Love For Pink
Cut Magazine Paper and Paint on Canvas
2016
Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary

The Face of Now
Cut Magazine Paper and Paint on Canvas
91 x 67 in | 231.1 x 170.2 cm
2018

heragain
Cut Magazine Paper and Paint on Canvas
51 x 59 in | 129.5 x 149.9 cm
2018

Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary

authenticity takes bravery
Acrylic Glass. Acrylic Mirror, Swarovski Crystals, MDF
39 x 39 x 3 in | 99.1 x 99.1 x 7.6 cm
2017

ADDI
Cut Magazine Clippings on Canvas
51 x 59 x 2 in | 129.5 x 149.9 x 5.1 cm
2017

Herzogs Vally
Oil on Canvas
36 x 36 x 2 in | 91.4 x 91.4 x 5.1 cm
2018

Featured Artists: Gabi Trinkaus, Norbert Burnner & Matt Bahn
Texas Contemporary

The Tapestry That Was the World
Oil on Canvas
108 x 78 x 2 in | 274.3 x 198.1 x 5.1 cm
2018

For Humans
Cut Magazine Clippings on Canvas
51 x 59 x 2 in | 129.5 x 149.9 x 5.1 cm
2017

fear is the enemy of change
Acrylic Glass. Acrylic Mirror, Swarovski Crystals, MDF
39 x 39 x 3 in | 99.1 x 99.1 x 7.6 cm
2017

After a While There Was Very Little Sign That Anything Had Taken Place There
Oil on Canvas
42 x 48 x 2 in | 106.7 x 121.9 x 5.1 cm
2018

splosh
Cut Magazine Paper and Paint on Canvas
51 x 589 in | 129.5 x 1496.1 cm
2018

The Patience of the Earth
Oil on Canvas
24 x 24 x 2 in | 61.0 x 61.0 x 5.1 cm
2018

Materiality: Pulse Miami 17, Stand N-312

ADDI
Cut Magazine Clippings on Canvas
51 x 59 x 2 in | 129.5 x 149.9 x 5.1 cm
2017

Chemical Plant 1.0
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
37 x 26 x 4 in | 94.0 x 66.0 x 10.2 cm
2017

Anaya with Oranges
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
29 x 36 x 1 in | 73.7 x 91.4 x 2.5 cm
2017

Materiality: Pulse Miami 17, Stand N-312

It Was All A Dream
Steel, Neon, Paint
95 x 126 x 32 in | 241.3 x 320.0 x 81.3 cm
2016

Anaya with her Backpack
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
31 x 45 x 1 in | 78.7 x 114.3 x 2.5 cm
2017

For Humans
Cut Magazine Clippings on Canvas
51 x 59 x 2 in | 129.5 x 149.9 x 5.1 cm
2017

Materiality: Pulse Miami 17, Stand N-312

It's fun
Cut Magazine Clippings on Canvas
51 x 59 x 2 in | 129.5 x 149.9 x 5.1 cm
2017

Chemical Plant 2.0
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
36 x 48 x 4 in | 91.4 x 121.9 x 10.2 cm
2017

Analog Digital Desert Synth
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
18 x 18 x 4 in | 45.7 x 45.7 x 10.2 cm
2017

Anais
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
31 x 58 x 23 in | 78.7 x 147.3 x 58.4 cm
2017

Materiality: Pulse Miami 17, Stand N-312

Kamaria, Boom Shaka Laka!
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
43 x 51 x 1 in | 109.2 x 129.5 x 2.5 cm
2017

Follow
Cut Magazine Clippings on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2015

La Nueva Casita
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
20 x 16 x 4 in | 50.8 x 40.6 x 10.2 cm
2017

Artifice
Acrylic and Molding Paste Piped on Plexi over Photographic Print on Wood
48 x 36 x 4 in | 121.9 x 91.4 x 10.2 cm
2017

Pink Bow and an Attitude
Traditional Mud Cloth and Other Fabrics Quilted and Appliquéd
28 x 64 x 1 in | 71.1 x 162.6 x 2.5 cm
2017

Chicago Expo
Installation view

Under Siege
Cut Tyvek and Rag Construction Paper
48 x 36 x 1 in | 121.9 x 91.4 x 2.5 cm
2017

Chicago Expo
Installation view

The Golden Age
Cut Magazine Clippings on Canvas
55 x 65 x 2 in | 139.7 x 165.1 x 5.1 cm
2017

Chicago Expo
Installation view

Trapped
Mouth Blown and Sandblasted Glass
8 x 16 x 8 in | 20.3 x 40.6 x 20.3 cm
2017

Chicago Expo
Installation view

Lake House #5
Collage, printed matter and Ink on canvas
39 x 31 x 2 in | 99.1 x 78.7 x 5.1 cm
2015

In Case of Flood
Linocut Print
44 x 30 x 1 in | 111.8 x 76.2 x 2.5 cm
2014

Retake
Cut Tyvek and Rag Construction Paper
60 x 40 x 1 in | 152.4 x 101.6 x 2.5 cm
2017

Chicago Expo
Installation view

Goo Times Girl
Cut Magazine Clippings on Canvas
51 x 60 x 2 in | 129.5 x 152.4 x 5.1 cm
2017

Chicago Expo
Installation view

Figurers in a Martix
Cut Tyvek
4 x 144 x 2 in | 10.2 x 365.8 x 5.1 cm
2017

Follow
Cut Magazine Clippings on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2015

Chicago Expo
Installation view

First Strike
Cut Tyvek and Rag Construction Paper
38 x 40 x 1 in | 96.5 x 101.6 x 2.5 cm
2017

Next
Cut Magazine Clippings on Canvas
60 x 65 x 2 in | 152.4 x 165.1 x 5.1 cm
2017

The Blood Catcher
Cut Tyvek and Rag Construction Paper
40 x 60 x 1 in | 101.6 x 152.4 x 2.5 cm
2017

Rattled
Mouth Blown and Sandblasted Glass
8 x 13 x 8 in | 20.3 x 33.0 x 20.3 cm
2017

In Case Of Fire
Linocut Print
36 x 24 x 1 in | 91.4 x 61.0 x 2.5 cm
2014

The Way We Are Told
Exhibition Installation Photograph

The Way We Are Told
Opening Event Photograph

Just the Right Amount of Wrong
Cut Magazine Paper and Paint on Canvas
98 x 75 x 2 in | 248.9 x 190.5 x 5.1 cm
2016

Unisexy
Cut Magazine Clippings on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2016

AA+BB
Cut Magazine Paper and Paint on Canvas
57 x 65 x 2 in | 144.8 x 165.1 x 5.1 cm
2016

The Way We Are Told
Exhibition Installation Photograph

Follow
Cut Magazine Clippings on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2015

The Way We Are Told
Opening Event Photograph

Superstay
Cut Magazine Paper and Paint on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2016

Stir the Senses
Cut Magazine Clippings on Canvas
74 x 86 x 3 in | 188.0 x 218.4 x 7.6 cm
2016

No Added Preservatives
Cut Magazine Paper and Paint on Canvas
63 x 75 x 2 in | 160.0 x 190.5 x 5.1 cm
2016

share some sparkle
Cut Magazine Paper and Paint on Canvas
40 x 31 x 1 in | 101.6 x 78.7 x 2.5 cm
2016

The Bitch is Back
Cut Magazine Clippings on Canvas
55 x 65 x 2 in | 139.7 x 165.1 x 5.1 cm
2016

A Proper Love For Pink
Cut Magazine Paper and Paint on Canvas
59 x 65 x 2 in | 149.9 x 165.1 x 5.1 cm
2016

Selected Solo Exhibitions:
- The Way We Are Told, Claire Oliver Gallery, New York, NY · 2016
- Paradise with a Limp, Claire Oliver Gallery, New York, NY · 2014
- Save the Bank, Galerie Georg Kargl, Vienna, Austria · 2013
- Modern Landscapes, GSA Stockholm, Stockholm, Sweden · 2012
- Come undone, Galerie Kunsthauz Muerz, Mürzzuschlag, Austria · 2011
- Gabi Trinkaus, Galleri Andersson Sandström, Stockholm, Sweden · 2009
- Cold Cuts, FO.KU.S, Innsbruck, Austria · 2009
- Mind the Gap, Georg Kargl Fine Arts, Vienna, Austria · 2008
- Gabi Trinkaus – flesh, Kunsthalle Wien, Vienna, Austria · 2007
- Gabi Trinkaus, Galleri Andersson Sandström, Umeå, Sweden · 2007
- Girl’s gotta have it, Georg Kargl BOX, Vienna, Austria · 2005
- You better get the cat in, Steirischer Herbst 2005, Neue Galerie Studio,
Neue Galerie am Landesmuseum Joanneum, Graz, Austria · 2005 - Leisure, with Michael Goldgruber, Kunsthaus Muerz, Mürzzuschlag, Austria · 2004
- Inside out, Soho in Ottakring, Vienna, Austria · 2002
- Gabi Trinkaus, Antonio Ferrara, Reggio Emilia, Italy · 2000
Selected Group Exhibitions:
- After Picasso, Kunsthalle Krems, Krems, Austria · 2015
- Zenita Komad, Deborah Sengl, Gabi Trinkaus, Galerie Golles, Furstenfeld, Austria · 2015
- Expo Chicago, Chicago, IL · 2014
- Art Miami 2013, Miami, FL · 2013
- Beyond Bling, Claire Oliver Gallery, New York, NY · 2012-13
- Features, Galerie Jarmuschek & Partner, Berlin, Germany · 2012
- Ground Control, Kunsthaus Muerz, Mürzzuschlag, Austria · 2012
- Women – Power III, Galerie Kunst & Handel, Graz, Austria · 2012
- After Work, Galleri Andersson/Sandström, Umeå, Sweden · 2011
- Good Prospects, 4th Moscow Biennale of Contemporary Art, organized by the Austrian Cultural Forum, Moscow, Russia · 2011
- Körper Codes, Museum der Moderne, Salzburg, Austria · 2010
- FOUND – Wanted, Galerie Kon-Temporär, Graz, Austria · 2010
- PressArt, Museum der Moderne, Salzburg, Austria · 2010
- PressArt, Die Sammlung Annette und Peter Nobel, Kunstmuseum St. Gallen, St. Gallen, Switzerland · 2010
- Sehnsucht nach dem Abbild, Kunsthalle Krems, Krems, Austria · 2009
- Gemäldegalerie Burgtheater: Neue Werke, Foyer Burgtheater, Vienna, Austria · 2008
- second_nature, Deixa BIL, Galerie Nosbaum & Reading, Luxembourg · 2008
- en face – surface, Galerie Grita Insam, Vienna, Austria · 2008
- Wann immer vorerst – Aktuelles aus der Sammlung der BA-CA, BA-CA Kunstforum, Vienna, Austria · 2007
- Through the Night Softly, Nestroyhof, Vienna, Austria · 2007
- Zurück zur Figur – Malerei der Gegenwart, Kunsthaus Wien, Vienna, Austria · 2007
- New Visions – Sammlungen in Österreich, ViennaFair 2007, Vienna, Austria · 2007
- Erblätterte Identitäten: Mode—Kunst—Zeitschrift, Hochschule für Graphik und Buchkunst Leipzig, Leipzig, Germany · 2007
- Wettbewerbausstellung, Förderungspreis des Landes Steiermark für zeitgenössische bildende Kunst 2006, Neue Galerie am Landesmuseum Joanneum, Graz, Austria · 2006
- Reflexionen, Rupertinum Salzburg, Salzburg, Austria · 2006
- Erblätterte Identitäten: Mode—Kunst—Zeitschrift, Stadthaus Ulm, Ulm, Germany · 2006
- Art 37 Basel, Präsentation Georg Kargl Fine Arts, Basel, Switzerland · 2006
- „Stadt – polis on display” – steirischer herbst 2005, Steirischer Herbst Festivalbüro, Graz, Austria · 2005
- Frieze Art Fair 2005, London, England · 2005
- Der doppelte Blick, Künstlerhaus Palais Thun und Taxis, Bregenz, Austria · 2004
- Vienna Coffee Table – Die Stimmung eines Wienbildes, Bernhard Knaus Fine Art, Mannheim, Germany · 2004
- …really?, Kunstpavillion, Innsbruck, Austria · 2002
- Waiting for the Ice Age, Georg Kargl Fine Arts, Vienna, Austria · 2002
- Bare, Antonio Ferrara, Reggio Emilia, Italy · 2002
- Soho in Ottakring, Flüchtig daheim, art:phalanx kunst-und kommunikationsbüro & Soho in Ottakring, Austria · 2002
- …really?, Kunsthalle Steyr, Steyr, Austria · 2001
- Home collection, window display, Georg Kargl Fine Arts, Vienna, Austria · 2000
- Bare, window display, Georg Kargl Fine Arts, Vienna, Austria · 2000
- Bad Women, Luciano Inga-Pin, Milan, Italy · 1999
- Herbert Hinteregger, Elke Krystufek, Muntean/Rosenblum, Gabi Trinkaus, Alexandra Wacker, William Wegman, Antonio Ferrara, Reggio Emilia, Prepared, Georg Kargl Fine Arts, Vienna, Austria · 1999
- Soho in Ottakring, Geschäftslokal, Vienna, Austria · 1999
- Doppelalbum, Apostelhof, Vienna, Austria · 1998
- Malerei, Mezzanin, Wien, Austria · 1998
- Gabi Trinkaus, Alexandra Wacker, Galerie Pagi & Dispari, Reggio Emilia, Italy · 1998
Awards:
- Kunstförderungspreis der Stadt Graz · 2006
- Preis des Bundeskanzleramtes · 2006
Catalogues:
- Good Prospects, Österreichisches Kulturforum Moskau, 2011.
- second_nature, Deixa BIL, Galerie Nosbaum & Reading, Luxembourg, 2008.
- Erblätterte Identitäten: Mode—Kunst—Zeitschrift, Stadthaus Ulm, Jonas Verlag, 2006.
- Gabi Trinkaus: Works, ed. Georg Kargl BOX, Neue Galerie Graz, Studio am Landesmuseum Joanneum, 2005.
Articles, Reviews, and Publications: Catalogues:
- “Wer liest schon….” FAQ Magazine, No. 13, July / September 2011.
- “Shake the Bag.” NY Arts Magazine, Vol. 14, Fall 2009.
- Titz, Walter. “Geschütttelte Phantombilder.” VIA. February 2009.
- Hofleitner, Johanna. “Medien Diebin.” Die Presse, Schaufenster, Nr. 17. 24 April 2009.
- Vollmann, Klaus Peter. “Der oberste Postfuchs.” Wien live, November 2008, pp. 67-68.
- “Lückenhafte Prototypen: Gabi Trinkaus ‘Mind the Gap’ bei Kargl.” APA. 01 July 2008.
- Morgan, Robert C. “Der forschende Körper—Arbeiten von Gabi Trinkaus.” Parnass, Heft, Vol. 27, March/April 2007, pp. 120-124.
- Popescu, Adina. “Unter dem Skalpell.” Monopol. Nr. 3, 2006, pp. 96-99.
- “De la introspección a la alta costura.” SPOT: Moda Cultura y Motivaciones Contemporáneas, Nr. 32, 2006, p. 30.
- Knapp, Michaela. “Crash & Kunst.” Format. 2006.
- “Gabi Trinkaus.” Spike, Nr. 06. 2005.
- “Visuelles Nachdoppeln.” Vorarlberger Nachrichten. 03 April 2004.
- Breit, Ulrike. “Vielfältiges im doppelten Blick.” Neue Vorarlberger Tageszeitung, 6 April 2004, p.40.
- Schlocker, Edith. “Gemalte Wirklichkeiten.” Tiroler Tageszeitung online, Innsbruck, 21 February 2002.
- “Junge Realisten in Steyr,” Oberösterreichische Nachrichten online, Linz, 11 October 2001.
- “Smells like Terpentin Spirit. Malerei-Schwerpunkt: Beispiele von Künstkern unter 30 in Ausstellungen in Wien (Malerei).” Der Standard, Wien, 12 February 1998.
- “7., Mezzanin.” Springerin. 02/1995-02/2002, Wien, 1998.

JOLLY
mixed media, collage, and acrylic paint on canvas
82.7 x 55.1 x 0.0 in
210 x 140 x cm
2020
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Press
Gabi Trinkaus Upcycles Magazines and Turns them into Intricate Artworks
WideWalls
May 22, 2016