Robert Peterson - Claire Oliver Gallery

Robert Peterson

I believe that all visual artist go through various stages in their career overtime where they will explore not only different mediums and subjects but also themselves. It has always been important to my development as an artist to go through these stages of exploring myself and different ways of creating because they have pushed me to come out on the other side a better artist and person than I was.

Initially, the paintings that I created were based solely on stock images of celebrities that I found on the internet. As I grew as an artist so did my desire to become more creative and so I began photographing men, women, and children that I know. Over the past two years, my paintings began to evolve and focus more on the black experience as I know it through my life which is obviously projected onto each new work. My art is my truth and my voice, it reflects a softer side of black people often not portrayed in the media and yet it still finds a way to show our strength and resilience, something that I want to see more of in galleries and museums.

September 8, 2022 to November 5, 2022

Claire Oliver Gallery

View exhibit press release (pdf)

"My paintings and the people I paint will live forever, longer than you or I. Black men and boys are gunned down and dying daily and to often they don’t get the chance to live long lives. My goal with every painting especially those focusing on a black person is to not only change the narrative of how black people are seen but also to make sure that they get a chance to live forever through my works similar to the stories and paintings of Kings and Saints."

-Robert Peterson

November 29, 2021 to December 4, 2021

Miami Beach, FL

View exhibit press release (pdf)

The Four Person Exhibition Will Feature New Works by Gallery Artists
Barbara Earl Thomas and Gio Swaby and Debuting Works by Gallery Newcomers Robert Peterson and Stan Squirewell
On View at Untitled Miami, November 29 – December 4, 2021

Point of Contact features the work of four artists whose practices vary but share commonality in their desire to reframe the often politicized Black body. Featuring figuration across mediums including Thomas’s signature polychrome cut paper, Swaby’s thread line
drawings on textile and polychrome quilt portraits, Peterson’s monumental oil on canvases and Squirewell’s mixed media photo collage, each work presents an opportunity for engagement where the art historical “gaze” is reversed and viewers are met as equals. The four artists use their works as a striking rebuke to white supremacy, eschewing negativity, they uplift by depicting their community in beauty, joy, and power as the ultimate form of resistance